Jose antonio fernandez bravo biografia

Jose antonio fernandez bravo listen and manipulate on

The literary work of Jose Antonio Bravo is extensive and covers several genres: poetry, theater, novels, short stories, tales, chronicles. He also wrote literary criticism and left an abundant journalistic work. Bravo began his literary career as a poet with two books Tristía (1960), and La torre agonida (1963), he also left some poems published in magazines or literary anthologies, and then ventured into theater with El orate (1965), and Karpat (1965), which he directed himself. However, Bravo is much better known for his novelistic work.

Bravo was also a painter, and whoever was lucky enough to visit his house in Las Gardenias in Santiago de Surco could appreciate his art in the various paintings that hung on the walls occupying a large part of the two floors of his house, in addition to the many that he sold or gave as gifts. Bravo was a Renaissance intellectual who mastered several areas of humanistic knowledge but resisted the use of computers. All his writings remain for posterity but it is his narrative work that will continue to be revisited by future generations who will continue to read his works and enjoy his stories, and perhaps we will be able to listen to him when we return to his novelistic quartet and hear Miguel, the alter ego of José Antonio Bravo, speak.

A good teacher knows that in every human being there is greatness.

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Este libro fue publicado originalmente antes de 1923, y representa una reproducción de una obra histórica importante, manteniendo el mismo formato que la obra original. Aunque algunos editores han optado por aplicar la tecnología OCR (reconocimiento óptico de caracteres) al proceso, creemos que esto conduce a resultados no óptimos (frecuentes errores tipográficos, caracteres extraños y formato confuso) y no preserva adecuadamente el carácter histórico del artefacto original. Creemos que esta obra es culturalmente importante en su forma original de archivo. Aunque nos esforzamos por limpiar y mejorar digitalmente la obra original de forma adecuada, en ocasiones se producen imperfecciones como páginas borrosas o perdidas, imágenes pobres o marcas erróneas que pueden haberse introducido debido a la calidad de la obra original o al propio proceso de escaneado. A pesar de estas imperfecciones ocasionales, lo hemos vuelto a imprimir como parte de nuestro compromiso global de preservación de libros, proporcionando a los clientes el acceso a las mejores reimpresiones históricas posibles. Apreciamos su comprensión de estas imperfecciones ocasionales, y esperamos sinceramente que disfrute del libro en un formato lo más parecido posible al que pretendía el editor original.

Xv congreso ce. #magister, educar para dar vida

Harrison, Regina. “Notas”. Sin and Confession in Colonial Peru: Spanish-Quechua Penitential Texts, 1560-1650, New York, USA: University of Texas Press, 2021, pp. 237-270. https://doi.org/10.7560/728486-010

Harrison, R. (2021). Notas. En Pecado y confesión en el Perú colonial: Spanish-Quechua Penitential Texts, 1560-1650 (pp. 237-270). Nueva York, EEUU: University of Texas Press. https://doi.org/10.7560/728486-010

Harrison, Regina. “Notas” En Sin and Confession in Colonial Peru: Spanish-Quechua Penitential Texts, 1560-1650, 237-270. Nueva York, EEUU: University of Texas Press, 2021. https://doi.org/10.7560/728486-010

Harrison R. Notas. En: Pecado y Confesión en el Perú Colonial: Spanish-Quechua Penitential Texts, 1560-1650. New York, USA: University of Texas Press; 2021. p.237-270. https://doi.org/10.7560/728486-010